Over the course of history, the visual arrangement of Judeo-Christian Biblical scriptures has undergone significant changes and adaptations. These visual transformations within scripture have traces of design everywhere, including visual layout, formatting, imagery, typography, hierarchy and more. These changes are entirely rooted in fundamental and modern design principles such as semiotic theories, typography standards, and basic design principles. Yet today many modern individuals still find these scriptures challenging to read or engage with because of their complex visual structures. Scriptural Design explores how graphic design, and historical analysis can effectively modernize the visual layout and typography standards of Judeo-Christian Biblical texts, to reintroduce them to a contemporary audience, encouraging engagement.   

Being a graphic designer as well as a lifelong Christian I have seen the discourse within the visual layout and design of scripture. During my design studies I have become convinced that this discourse can be resolved by providing a redesigned visual of scripture.